“The Beguiled”

AT A CASUAL glance, Sofia Coppola’s The Beguiled looks like a historical drama, with all the white dresses, corsets and maidenly behaviour that implies. It is––thank God––nothing of the sort. Instead it’s a gripping, witty and sexually-charged feminist retelling of its more overtly steamy predecessor, and, to my taste, the best film Coppola has made […]